REVIEW: Bermuda #1 is straightforward, simple and that's just fine
Bermuda #1 from writer John Layman, artist Nick Bradshaw and team is a relatively simple, straight-forward adventure comic. And you know what? That’s just fine.
Read MoreBermuda #1 from writer John Layman, artist Nick Bradshaw and team is a relatively simple, straight-forward adventure comic. And you know what? That’s just fine.
Read MoreMoon Knight #1 is a strong and well-paced start for a new direction for the character, one that is almost an ideal access point for readers who have never read a Moon Knight book.
Read MoreWith Superman and the Authority #1, writer Grant Morrison, artist Mikel Janín, colorist Jordie Bellaire, and letterer Steve Wands lay out a new vision for some of the most influential comics of the past 20 years.
Read MoreSinister War #1 is here, marking the beginning of the end of the current run of Amazing Spider-Man. In today’s review, we unpack the good and the bad of this story.
Read MoreYep, Canto III: Lionhearted #1 is as good as this series has been from its start. At this point, there are few series in all of comics that are of as consistently high quality as Canto.
Read MoreIs Die #18 the best issue yet of this very excellent series by writer Kieron Gillen and artist Stephanie Hans? We examine the evidence in today’s review…
Read MoreMamo #1, the new comic from writer/artist Sas Milledge via BOOM! Studios - BOOM! Box imprint — is a folk tale comic book that invites you in and never lets you leave. It’s a fey story for the faint of heart.
Read MoreA proper X-Men team makes its return in X-Men #1, and while the overall Krakoa era story is really humming, this issue is mostly exciting as a hint at things to come, rather than as something strong and entertaining on its own merits.
Read MoreToday we’re reviewing The Walk from the TKO Shorts series, a new story from writer Michael Moreci, artist Jesús Hervás, and letterer Hassan Otsmane-Elhaou.
Read MoreThe United States of Captain America #1 is a thoughtful and interesting first issue that creates a new status quo for Captain America, one that is far more in keeping with modern times.
Read MoreThe best new #1 comic of the year so far, Barbaric #1 is a perfect debut issue, a subversive romp with a hilarious and entertaining concept put on top layers of relatable conflict and philosophy.
Read MoreA near-perfect tribute to a long-time superhero character, Green Arrow 80th Anniversary Spectacular #1 stands as one of (if not the) best of DC Comics' 80th birthday anthologies.
Read MoreHeroes Return #1 marks the end of a bloated alternate Marvel Universe story that lacks a point or anything much to say, besides hey wouldn’t this be kind of interesting?
Read MoreBlack Hammer Reborn #1 is a welcoming introduction for new fans and a fun reinvigoration of the world for long time readers. On a deeper level, it’s an exploration of the internal struggles of daily life play out with superheroes.
Read MoreOn the whole, Roofstompers knocks it out of the park in practically every aspect. It delivers a fresh story told with creative visuals into one complete package. Especially considering the price point of $2.99…
Read MoreArmed with the same art team as House of X #1, Planet-Sized X-Men #1 is a turning point comic, a book that seeks to (and largely succeeds at) launching the next chapter for the Krakoa era.
Read MoreRiver of Sin — the new TKO Studios one-shot from writer/artist Kelly Williams — is a fun little read that carries on the spirit of silver-age horror comics.
Read MoreTrigger Keaton may have been a miserable #*@&-nut, but the comic about his death is a delight.. If you’ve liked Kyle Starks and Chris Schweizer’s past comics, you will almost certainly like this book.
Read MoreOne of the most exciting things about the arrival of Far Sector #12 this week, is that soon readers will be able to take in N.K. Jemisin and Jamal Campbell’s epic all at once.
Read MoreIn, a graphic novel by Will McPhail, proves to be a must-read book for this odd year of 2021 as we emerge from our pandemic isolations. It’s a book told often in facial expressions and quiet interactions, and it’s very welcome, indeed.
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